Program

 

Art Design by Mel Russo

 

Smile, though your heart is aching

Choreographed by Megan Williams
Original music by Eve Beglarian

Dancers: Esmé Julien Boyce, Robert Mark Burke, Réka Echerer, Mary Lyn Graves, Chelsea Enjer Hecht, Justin Lynch, Mykel Marai Nairne, Will Noling, Michael Bryan Wang, Megan Williams

Musicians: Caitlin Cawley (Percussion), Eve Beglarian (vocalist), Isabelle O’Connell (piano), leiken (vocalist), Margaret Lancaster (flutes), and Tristan Kasten-Krause (bass)

Lighting Designer: Kathy Kaufman 
Sound Designer :Florian Staab
Costume Designer: Claire Fleury

Press Agent: Kelly Ryan
Administrative Assistant: Erin McElhone
Box Office Assistants: Bryn Bridgen and Kellsee Lynch

Musical selections from Machaut in the Machine Age & The Real Deal
Longuement me sui tenus
(TRD, Lai 18: verse 1, 2024)
Of All the Flowers (MMA II, 1993)
Liement me deport (MMA VI, 2008)
Ne say se je dor ou vei (TRD, Lai 18: verse 5, 2024)
Douce dame jolie (MMA I, 1986; arr. 2018)
Be Like Water (MMA IX, 2020)
Ne fait il bon tel dame amer (TRD, Lai 18: verse 6, 2024)
Liement me deport (MMA VI, 2008)
Can I have it without begging? (MMA VII, 2018)
I have to see you (MMA VIII, 2020)
Ay mi! (MMA IV, 1995)
La sont mis tuit mi plaisir (TRD, Lai 18: verse 9, 2024)
Et quant ad ce sui venus (TRD, Lai 18: verse 12, 2024)
Douce dame jolie (MMA I, 1986; arr.2024 )

From Eve,

The music for Smile is a collection of pieces I have been making over the course of my entire composing life. I was introduced to the secular songs of Guillaume de Machaut (1300-1377) by the eccentrically brilliant musician Jacques-Louis Monod, while I studied conducting with him in the early 1980s. In direct response to Machaut's work, I wrote Douce dame jolie (1986) as the first piece in a series called Machaut in the Machine Age. Be like water (2020) is the latest. The title of tonight's performance comes from Liement me deport (2008) — Machaut’s old French lyrics are quite similar to Charlie Chaplin’s English ones. Now, leiken and I are in the midst of exploring Machaut’s multimedia extravaganza Le Voir Dit. The five stanzas of the Lai you hear spread throughout this evening’s performance are the first manifestations of that new project, which we are calling The Real Deal.

From Megan,

I have been making dances in around Eve’s music since 2015.  Her love of the short form holds great appeal and her ability to distill an idea into  something both  complex and thrillingly complete inspires me. In early 2020, we  used three of the Machaut in the Machine Age selections for a piece called “Desire” , which was imbedded into a repertory show that never made it to the stage due to the pandemic. Other works by Eve , choreographed by me and performed by many of the dancers and musicians you see here tonight, were shelved for four years. Other smaller projects were made. Coming back to something big was daunting. Last year, when Eve and I talked about revisiting the idea of a live music and dance event, we focused on the wealth of material that her  Machaut in the Machine Age collection could bring. Some of the choreography from 2020 still lives in Smile, and some of it is new.

MWDP thanks the O’Donnell-Green Music and Dance Foundation for musical support and The Center for Ballet and the Arts for  early research and recent space support of Smile , though your heart is aching.

Megan would like to thank:
~The dancers: Esmé, Chelsea, Réka, Mary Lyn, Mykel, Robert, Michael, Will and Justin for their abundant skills, collaborative and compassionate spirits, crazy smarts and never-ending kindness. This work is theirs.
~Mel, Courtney, Derek, Joshua, John, Kristen for their contributions in the 2019-20 iteration
~Andy, Bailey, Griffin for endless love and support.
~Barbara, Cynthia and Barrie for forever friendship.Thank you to the O’Donnell-Green Music and Dance Foundation and The Center for Ballet and the Arts for supporting Smile, though your heart is aching.

MWDP thanks the O’Donnell-Green Music and Dance Foundation for music grant support and The Center for Ballet and the Arts for early research and recent space support of Smile, though your heart is aching. 

MWDP is a fiscally sponsored project of Unique Projects, a non-for-profit organization administered by Pentacle/Dance Works Inc. Under Unique Projects fiscal umbrella, contributions made to MWDP are tax deductible to the fullest extent of the law. To support MWDP go to mwdanceprojects.com

 

Eve would like to thank the Camargo Foundation in Cassis, France for the September-November 2023 fellowship that supported her in the initial phases of research for The Real Deal.

BIOGRAPHIES

 

Photos by Julie Lemberger

MWDP is a fiscally sponsored project of Unique Projects, a non-for-profit organization administered by Pentacle/Dance Works Inc. Under Unique Projects fiscal umbrellas, contributions made to MWDP are tax deductible to the fullest extent of the law.